Zarour avoids glib pastiche and instead makes meaningful, seamless connections, rigorously integrating disparate styles so they make musical sense.
Peter Margasak, Chicago Reader
BIOGRAPHY
Wanees Zarour is an award-winning Palestinian-American composer, arranger, and multi-instrumentalist steeped in the traditions of maqam and jazz. His compositional voice transcends borders, blending Arabic, jazz, classical, and global music traditions into a bold and cohesive musical language. Whether composing for full orchestra, stage, or screen, Zarour creates music that is both deeply rooted and forward-looking, driven by rhythmic intensity, lyrical improvisation, and narrative depth.
Born into a family of musicians, Zarour began his classical violin training at age 7 at the Edward Said National Conservatory of Music, where he rapidly advanced through the repertoire. He later immersed himself in the maqam system, the Arabic violin tradition, and Middle Eastern rhythms and forms, studying with master musicians and expanding his instrumental fluency to include oud, percussion, and especially the buzuq, on which he is now considered a virtuoso.
Zarour serves as Director of the Middle East Music Ensemble at the University of Chicago, where he is also a member of the teaching faculty. Under his leadership, the ensemble has grown into a 70-piece orchestra performing Turkish, Arab, and Persian music for sold-out audiences. He arranges and transcribes all the ensemble’s repertoire and curates each concert to foster cultural dialogue and collective artistry. He is also Co-Director of the Chicago Immigrant Orchestra along with Fareed Haque—a project revived in partnership with the City of Chicago’s Department of Cultural Affairs—which celebrates the musical identities of Chicago’s immigrant communities.
In addition to his work in performance and education, Zarour composes music for film and theater, bringing his distinct cross-cultural sensibility to storytelling across mediums. He also serves on the faculty of the annual Arabic Music Retreat in Mount Holyoke, Massachusetts—mentoring the next generation of performers and composers in Arabic music.
In 2014, Zarour released his debut album Quarter to Midnight, a 10-piece chamber jazz project showcasing his intricate compositions and expansive aesthetic. Featuring original works that integrate Arabic, jazz, Brazilian, Turkish, and classical elements, the album was performed across the U.S. and marked Zarour as a bold new voice in intercultural composition.
In 2018, he founded East Loop, a septet dedicated to exploring the intersections between jazz and maqam. With guitarist Sam Mosching, trombonists Chris Shuttleworth and Catie Hickey, saxophonist Bryan Pardo, and rhythm section Nick and Vinny Kabat, the group released an EP in 2018 and will release their debut full-length album Silwan in 2025. The album offers a suite of compositions that reflect themes of memory, resilience, and belonging. See projects to learn more.
Zarour's contributions to Chicago’s musical life have been widely recognized. He received the Chicago Esteemed Artist Award in 2021 and the prestigious 3Arts Award in 2024 for his work as a composer, educator, and cultural leader. He continues to build artistic spaces that center inclusivity, expression, and collaboration—always with a commitment to music as a vehicle for shared human experience.
CONCERT DATES
04/21/2024 07:00 PM
04/21/2024 07:00 PM
East Loop in the Quad Cities
East Loop gives a concert as part of Wanees Zarour's residency with the Quad Cities Arts
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The Speakeasy
Rock Island, IA
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7 PM
05/19/2024 05:00 PM
05/19/2024 05:00 PM
Middle East Music Ensemble - Arabic Concert / Palestinian Folk
Wanees Zarour leads the 60 piece orchestra in a performance of a wide spectrum of Palestinian repertoire
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Logan Center for the Arts
Chicago, IL
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5 PM